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I do not have an adjective of the effect it had on me each time I saw it in the theatre as a child and later on video, literally searching my soul.The characters of the film became icons or role models of the Indian people and dialogue a part of the everyday Indian vocabulary.

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Sholay virtually defined a new era after it was released in August of 1975, running in Minerva theatre for over five years.The movie had the effect of a spell cast on me in childhood and its characters greatly shaped my way of thinking.

Sholay simply took entertainment to an unmatched crescendo with immaculate construction of plot with brilliant blending of violence with romance and comedy with tragedy.

The cinematography or screen effects were heart capturing, almost making the audience feel a part of the film.

The Scenes were most proportionately dissected, preventing any trend of dragging and most symmetrically woven together.

The cinematography of the movie is a work of masterpiece be it the dacoits attack on the train, the dacoits offensive in the village of Ramgarh,the dacoits and horses ravaging the huge landscapes or the Thakurs village in Ramgarh.The introductory part has classical overtones blending the horse riders with the landscape playing the background music.

With ingenuity of direction Gabbar is introduced into the film, worth only his feet walking are shown before he bursts out scolding his men.With precision the scene of torturing the village boy Ahmed to death is cut, the killing of the Thakurs grandson or the amputation of the hands of the Thakur.There is also subtle poignancy when the Thakur reveals his true story to Veeru and Jai about the trauma he faced at the hands of Gabbar.

Amjad Kan enacting role of dacoit Gabbar Singh took acting skills to regions of the sublime, comparable even with the best Hollywood villains.

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I dont have an adjective to describe the intensity with which he got into the very skin of the character, giving the role its absolute juice.

Whether laughing in sarcasm or humiliating his fellow men, tormenting Basanti,,expressing vengeance against the Thakur after being arrested, or seeking an apology from the villagers none could have done as much justice to the character of Gabbar.His mannerisms and gestures were like a dacoit leader in real life.Never seen an actor give sheer brutality its true meaning.with magnitude of intensity reminiscent of a tidal wave.

Sanjeev Kumar as the Thakur blazed with intensity of thunder and lightning.

His eyes often told the story, whether expressing anger on Gabbar,confronting dacoits in village, dressing the villagers,conversing with Jai and Veeru,consoling Radha and taking revenge on Gabbar.What is remarkable is that he never lost his composure or balance.

Amitabh Bachhan was underplayed as Jai but took his death acting scene to heart touching depth rarely penetrated.

It is hard to describe the intensity or anguish on his face in his final momements before he fires the bullet at the dynamite to set the bridge ablaze.The expressions were reminiscent of coal on the verge of being transformed into iron in a furnace.

Dharmendra was brilliant as Veeru in incorporating humour with blazing rage.

When seeking revenge for Jais death Dharmendra as Viru takes anger to magnitude of a water pot simmering at a boiling point.Reveals playfulness of a child in drunken scene and when romancing with Hema Malini as Basanti.

Jaya Bahaduri as a widow Radha revealed sensitivity in classical style.

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Basanti enacted by Hema Malini kept the audience amused.or in full spirits with her unstoppable chattering.

The supporting roles of Asrani as the Jailer, Jagdeep as Soorma Bhopali and A K Hangal as Imam Sahib brilliantly integrated the frame of the movie.

Asrani simply made the audience go into peels of laughter, Soorma Bhopali played by Jagdeep gave a comical element to the film while Hangal as Imam Saab gave a moral or ethical turn.

A K Hangal pleads for Jai and Veeru to stay in the village and for more martyrs to be born in the village,inspite of the loss of his son at the hands of the dacoits.

With deep depth reaching the very core of his soul the Thakur asserts that he wishes that Gabbar Singh is personally handed over to him alive and not killed.

This is after Veeru and Jai come to return money and Jai states they will collect money after killing Gabbar.

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