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That again shows the mistake of the claim since Raaja was not restricted only to Tamil and was successful critically and commercially elsewhere too, as 3 of his 4 National Awards in Telugu and Malayalam would attest.

A prominent exercise involves trying to putting into perspective Raajas music with the various lyricists.

Some of the popularly held beliefs in this topic include, Raaja owed much of his success in the 80s to his partnership with Vairamuthu, Raajas humongous successes are with Vairamuthu and Vaali, Vaali and Vairamuthu have written the maximum songs for Raaja.

That aside, he has composed music for about 180 films in other languages (roughly 80 in Telugu, 55 in Malayalam 25 odd in Kannada and not more than 15 in Hindi and 2 in Marathi).

He was the commercial numer uno in Telugu in the 80s, was briefly a commercial star in Malayalam and Kannada in the early 80s and a commercial colossus in Tamil through the late 70s down to the early 90s.

Vaali has written more than 1000 songs for Raaja, this being the most prolific association for Ilayaraaja as far as lyric-music goes.

Their combination began with Bhadrakali in 1976 and they have worked all the way to a yet-to-be-released film on Ramanujacharya.

A disclaimer I wish to enter here (and this holds to every lyricist I am going to list) is that the playlists I share here are by no means exhaustive in an oeuvre of thousands of songs.

However, these can offer a fine birds eye view of a track record over the years.

And for most of the films, Vaali would have written all the songs like Bhadrakali (where Kettele Ange was the bigger chartbuster), Ilamai Oonjalaadugiradhu, Azhage Unnai Aradhikkiren, Thoongadhe Thambi Thoongadhe, Sagakalavallavan, Mouna Ragam, Agni Nakshatram, Aboorva Sagodharargal,Thalapathi, Thevar Magan where almost every song was a superhit and I have not included songs from other chartbuster albums from Chittukuruvi onwards for the case of brevity.

Most definitely a superhit combination and one does stand awed at the range of genres handled by the two.

At your leisure).

The list of Vairamuthu Ilayaraaja I have as a playlist.

This combination worked in less than 350 out of Raajas 5000 songs and has an overall hit number of 198 to be precise (from rinbas extensive knowledge of IRs hit ratio from the 1980s).

It does not take into account quality of the songs that went unnoticed.

But however, it does provide an input into mass popularity accurately.

If one is to however take only the years 1980-1986, Ilayaraaja had already composed his 100 th film, Moodupani by the time Vairamuthu entered with Nizhalgal and was the established numer uno in Tamil.

Vairamuthu hence did not have a part to play in Raajas prolific rise.

From 80-86, Raaja approximately composed 250 films (his 300 th film was Udhayageetham in 1985 and his 400 th was Nayagan in 1987, so by the time they separated, Raaja could have been in the 350s, 250 more than his 100 th in 1980), making for about 1100 odd songs in those 7 years.

Going by the same 55 commercial hit ratio which we see consistently from 1976-1994, that would mean about 600 hit songs (again, only commercial hits and I am not even entering into a subjective analysis of quality) only in 1980-1986, prolific without a shadow of doubt.

But even in his heydays in the 80s (he would have another extended peak in the 90s but that is beyond the scope of this post); Vairamuthu could pretty much contribute to roughly 30 of Raajas hit songs; i.e.

Raajas commercial hits in the early-mid-late 80s from 1980 till 1986 were still written by others.

In the light of these facts, the claim of Raaja owed his success, at least in the 80s to Vairamuthu goes out of the window, with all due to respect to the excellent songs which Vairamuthu has written only because of the error in such a statement.

Of course, Raaja would have had chartbusters in other languages, especially the other 3 South Indian ones and Vairamuthu is a Tamil lyricist.

Thendrale Mella Nee Veesu Song 1080P Hd Download